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Description:
These studies are designed to provide brass players with a systematic, musical approach to developing the upper resister. Platers should progress in each study to the highest line which can be played securely and with a good sound. After consistency has been achieved, the next line should be added.
It is vital that periods of rest be interspersed between lines and that the players never play to the point of complete muscular fatigue. The process should be one of building rather than tearing down, and great emphasis should be placed on using a full, free-flowing breath.
All the studies should be practiced with the most beautiful, singing sound possible. The objective is to learn to play musically in the upper register rather than merely hitting high notes.
The last study is recommended for use at the end of the player’s practice in order to enhance relaxation.
Table of Contents:
These studies are designed to provide brass players with a systematic, musical approach to developing the upper resister. Platers should progress in each study to the highest line which can be played securely and with a good sound. After consistency has been achieved, the next line should be added.
It is vital that periods of rest be interspersed between lines and that the players never play to the point of complete muscular fatigue. The process should be one of building rather than tearing down, and great emphasis should be placed on using a full, free-flowing breath.
All the studies should be practiced with the most beautiful, singing sound possible. The objective is to learn to play musically in the upper register rather than merely hitting high notes.
The last study is recommended for use at the end of the player’s practice in order to enhance relaxation.
| Catalog: | 183800 |
| Publisher: | Harold Gore |
| Composer: | Johnson, Keith |
| Artist: | |
| Arranger: | |
| More Info: | |
| Voicing: | French Horn Method |
| Level: | |
| Pages: | 0 |
183800