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Hear a
Sample! |
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SCENE ONE Fugue for
Tinhorns [Nicely, Benny, Rusty Charlie, opt.
Ensemble]
Follow the Fold [Sarah and the Mission
Band]
The Oldest Established [Nicely, Benny, Nathan and
Crapshooters] |
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SCENE TWO I'll Know [Sarah and
Sky] |
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SCENE THREE A Bushel and a
Peck [Adelaide and Dolls]
Adelaide's
Lament [Adelaide] |
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SCENE FOUR Guys and Dolls [Nicely,
Benny, opt. Ensemble] |
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SCENE SEVEN If I Were a
Bell [Sarah] |
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SCENE EIGHT I've Never Been in Love
Before [Sarah and Sky] |
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SCENE NINE Adelaide's Second
Lament [Adelaide] |
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SCENE ELEVEN Luck Be a Lady [Sky,
Crapshooters] |
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SCENE THIRTEEN Sit Down You're Rockin' the
Boat [Nicely, Ensemble]
The Guys Follow the
Fold [Ensemble] |
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SCENE FOURTEEN Marry the Man
Today [Adelaide, Sarah] |
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SCENE FIFTEEN The Happy Ending [The
Company] |
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| Credits |
| Book by Abe Burrows & Jo Swerling |
| Music & Lyrics by Frank Loesser |
| Originally Directed on Broadway by George S.
Kaufman | |
| One of Broadway's most hilarious shows, Guys and
Dolls has been described as the perfect musical comedy. It is primarily
based on Damon Runyon's short story "The Idyll of Miss Sarah Brown," which
describes the unlikely romance between a pure at heart urban missionary and a
slick Broadway gambler. The show's second romantic storyline involves Nathan
Detroit and Miss Adelaide, who have been engaged for fourteen years. Nathan
organizes "the oldest established, permanent floating craps game in New York,"
and Adelaide is the main attraction at the Hot Box nightclub. |
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| Guys and Dolls opened on Broadway on November
24, 1950. Producers Cy Feuer and Ernest Martin assembled an exceptional team to
bring Runyon's hard-shelled, but basically softhearted characters to the stage.
The team, which included composer/lyricist Frank Loesser, co-book writer Abe
Burrows, director George S. Kaufman, and choreographer Michael Kidd, created an
instant hit, praised by reviewers as one of the most well constructed book
musicals in Broadway history. |
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| Guys and Dolls has had several successful
Broadway revivals and tours, and is one of the most produced shows worldwide.
The Broadway Junior version has the approval of the author's estate and was
first produced in 1998. | |
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Program Kit w/CD - 11673500 Preview Pak w/CD
- 11673531



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| Back to Broadway Jr. | |
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Nathan Detroit needn't be a great singer, but should be
a good actor with excellent comic timing. |
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Adelaide needn't be a great singer, but must have a
strong character voice and a good sense of pitch. She needs to be able to do a
New York accent and have good comic timing. |
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Sky Masterson is the quintessential, smooth as velvet
Broadway gambler. He needn't be a great singer, but MUST be able to own the
stage in “Luck Be a Lady.” |
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Sarah Brown is the girl next door with a more
adventurous side that's waiting to get out. She must be an excellent singer and
a good actor. |
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Arvide Abernathy is Sarah's grandfather. May also be
cast as a girl, changing to Sarah's grandmother. |
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Nicely is walking, talking Broadway comedy. Your Nicely
could be any physical type, but a great comedic actor and a wonderful singer.
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Benny Southstreet is a gambler. |
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Rusty Charlie is a gambler. |
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Harry the Horse is a gambler. |
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Lt. Brannigan is a New York City cop. |
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General Cartwright is head of the Save-a-Soul mission.
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Big Jule is a very tough, gun-toting gangster from
Chicago. |
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Mimi is a doll. |
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Angie the Ox is a gambler. |
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Guys – The rest of your male ensemble (except for the
mission band) can be cast as "guys." They are the crapshooters, gamblers,
workers, New York City folks of all types. |
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Dolls – The Dolls are your Hot Box girls and other
ensemble females. You will want to designate your Hot Box girls as your
preferred singers and dancers. Frequently, you will have many more girls than
boys audition, so you may want to cast some of your girls as “guys.” |
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Mission Band includes Agatha and Calvin. You can fill
out the ensemble of your production by adding as many members of the Mission
Band as your stage can accommodate. |
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